{"id":334,"date":"2025-08-12T09:29:52","date_gmt":"2025-08-12T13:29:52","guid":{"rendered":"https:\/\/justintatone.com\/?page_id=334"},"modified":"2026-04-05T02:31:44","modified_gmt":"2026-04-05T06:31:44","slug":"work","status":"publish","type":"page","link":"https:\/\/justintatone.com\/?page_id=334","title":{"rendered":"WORK"},"content":{"rendered":"\n
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IMAGE<\/h2>\n\n\n\n
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\"Feedback Studies\"<\/em>
Digital Paintings, Archive 2025<\/pre>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Series of procedural digital paintings developed during a residency in Manizales, Colombia. The process uses machine analysis of chromatic data through an iterative, feedback-driven process. Drawing from over 6,200 hex codes extracted from personal photographs, spanning graffiti, homes, mountains, and overcast skies of Manizales, collages using these hex codes are constructed and then fed back into the chromatic data analysis, creating a \u201cmachine learned\u201d image of nature. This process is not a mere filter, it\u2019s a recursive system that isolates what the algorithm deems the image\u2019s most \u2018essential\u2019 traits, progressively stripping away the natural world\u2019s intricacies to reveal only its distilled chromatic core. As these color palettes are extracted and reintegrated into the composition, reanalyzed and reorganized in a loop of feedback, the process gradually transforms the organic origins of the source material into synthetic plastified imagery. It asks not what machines can imagine for us, but what they do to the natural world when asked to interpret and reimagine it, often flattening nuance into flat and plastic.<\/summary>\n
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SOUND<\/h2>\n\n\n\n
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“doombap!” 2026<\/strong><\/p>\n\n\n\n
Studio LP<\/p>\n<\/div><\/div>\n\n\n\n
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“doombop!” 2026<\/strong><\/p>\n\n\n\n
Studio LP<\/p>\n<\/div><\/div>\n\n\n\n
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“Bastion Volume II: Free For All Thinkers” 2026<\/strong><\/p>\n\n\n\n
Studio LP.<\/p>\n\n\n\n
BASTION<\/p>\n<\/div><\/div>\n\n\n\n
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“HYPERPHANTASIA” 2025<\/strong> <\/p>\n\n\n\n
Studio LP<\/p>\n<\/div><\/div>\n\n\n\n
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“Concord V” 2024<\/strong> <\/p>\n\n\n\n
Ballet<\/p>\n\n\n\n
James Stinchcombe (Flute)<\/p>\n\n\n\n
Marina Elizabeth Gris (Dance, Choreography).<\/p>\n<\/div><\/div>\n\n\n\n
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“Weathered Technophilia” 2023<\/strong> <\/p>\n\n\n\n
For Computer Orchestra, Guitar<\/p>\n\n\n\n
Concordia Laptop Orchestra<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"
IMAGE “Feedback Studies”Digital Paintings, Archive 2025 SOUND “doombap!” 2026 Studio LP “doombop!” 2026 Studio LP “Bastion Volume II: Free For All Thinkers” 2026 Studio LP. BASTION “HYPERPHANTASIA” 2025 Studio…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-334","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/justintatone.com\/index.php?rest_route=\/wp\/v2\/pages\/334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/justintatone.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/justintatone.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/justintatone.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/justintatone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=334"}],"version-history":[{"count":39,"href":"https:\/\/justintatone.com\/index.php?rest_route=\/wp\/v2\/pages\/334\/revisions"}],"predecessor-version":[{"id":608,"href":"https:\/\/justintatone.com\/index.php?rest_route=\/wp\/v2\/pages\/334\/revisions\/608"}],"wp:attachment":[{"href":"https:\/\/justintatone.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}